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SARA HUBBS & SARAH ZAPATA: between gravity and ground / MOCA Tucson

2024

Mold-blown, kiln-formed glass and re-bar


View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize   Double Green , 2023, blown and kiln-formed glass, 11 x 15 x 1.5 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize  Installation View: From left to right:  Soft Stack, Affix, Cloud (Of water, air or glass), and Double Green
View fullsize   Soft Stack , 2023, blown and kiln-formed glass, 20.5 x 6 x 1 in
View fullsize   Affix , 2023, blown and kiln-formed glass, 15 x 19 x 1.5 in
View fullsize   Cloud (Of water, air or glass) , 2023, blown and kiln-formed glass, 8.5 x 17 x 1.5 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize   when worry feels like care , 2024, kiln-formed glass, 20.5 x 6 x 1 in
View fullsize   when worry feels like care , 2024, kiln-formed glass, 20.5 x 6 x 1 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize   Untitled (Costumes of Absence/Orchestra of Bodies),  2023, mold-blown glass, 11.5 x 10 x 10 in
View fullsize   Untitled (Costumes of Absence/Orchestra of Bodies),  2023, mold-blown glass, 11 x 10.5 x 10 in
View fullsize   Untitled (Costumes of Absence/Orchestra of Bodies),  2023, mold-blown glass, 10.5 x 10.5 x 10.5 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize   Untitled (Costumes of Absence/Orchestra of Bodies) , 2023, mold-blown glass, 13.5 x 9.5 x 9.5 in
View fullsize   Untitled (Costumes of Absence/Orchestra of Bodies) , 2023, mold-blown glass, 10 x 10 x 10 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground
View fullsize   Ribbon River , 2024, kiln-formed glass, 68 x 56 x 1.5 in
View fullsize   Ribbon River , 2024, kiln-formed glass, 68 x 56 x 1.5 in
View fullsize  Installation view:  Sara Hubbs & Sarah Zapata: between gravity and ground

Photos by Maya Hawk, courtesy and of MOCA Tucson

Sara Hubbs takes an intuitive approach to working with glass, using improvisational processes to produce collections of tactilely-rich objects. She often makes vessels  – containers that map the contours of absence – to consider the act of holding space within caretaking and grief. Her works are formed with objects that reflect her roles as parent and kin such as medical tubing, architectural features, toy packaging, bows, and body parts. Attending to the ways we shape one another, she uses multi-step casting, slumping, and firing methods that alter her material references, resulting in varied states of legibility, distortion, and abstraction. The soft curves and hard surfaces of her sculptures evoke multiple associations such as shiny oversized candies and draping fabric, snaking riverbeds and translucent topographies, or brightly hued internal organs and mysterious organic matter.

-Excerpt from Exhibition Text by Curator Alexis Wilkinson

RELATED:

Wilkinson, Alexis, Sara Hubbs & Sara Zapata: between gravity & ground, exhibition text.

Sara Hubbs & Sarah Zapata: between gravity & ground, Southwest Contemporary

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